Jul 28 2011

Captain America

Detail of Captain America Comics 1

This past weekend we went to see Joe Johnston’s comic book adaptation, “Captain America: The First Avenger” (2011). Leading up to Friday’s release, I eagerly watched the reviews trickle into Rotten Tomatoes. The first reviews were disheartening, at one point dropping to 33%. As more reviews posted, the numbers clawed slowly upward, reaching a mediocre 77% at the time of this review (days later).

The character first appeared in Timely Comics’ “Captain America Comics” #1 in 1940. The cover depicted the patriotic hero punching Adolf Hitler in the jaw (see insert). Nearly a million copies sold. Compare that to Captain America #618, which sold 44,748 copies in May 2011. There’s no comparing Golden Age and Modern sales numbers. Where was I? Oh yeah, 1940… This was one year (to the month) before the attack on Pearl Harbor and the United States’ entry into World War II. According to Wikipedia, sales of the comic book soon out-sold news magazines like “Time”. After the war, sales ebbed and the title was eventually cancelled in 1950. Despite efforts to revive Captain America, he did not return for good until 1964 in Marvel Comics’ “Avengers” #4 (nope, not an original member) when (retcon alert) he was rescued from the north Atlantic, having been entombed in ice since a plane crash during the war. *deep breath* All that being said, making Captain America appeal to the movie-going audience was not an easy task. The director had to take a 70 year old superhero with an unwavering moral compass, dress him up in red, white, and blue, put little wings on his head, and weave a story and background that would establish him as a legendary fighter and protector of the American Way in one movie… both to reintroduce him to the public, and set the stage for Marvel Studios’ next big release, “The Avengers” (2012). Not only that, but they needed an actor that could fill the Cap’s shiny red Three Musketeer boots and make it all work.

Yes, I’ve been waiting for this movie for years, but also dreading it. Marvel’s plan to tie their franchises together, also means that any serious misstep could bring down the whole project. If Captain America turned out to be a joke, then the Avengers were screwed. The first glimmer of hope was signing on Joe Johnston, director of “The Rocketeer” (1991). If anyone could make a superhero period piece, it would be him. The next announcement (as I recall) was the casting of Chris Evans, of “Fantastic Four” (2005) infamy. *ugh!* In all fairness, he was enjoyable in “Scott Pilgrim vs. the World” (2010) as Evil Boyfriend #2; I just couldn’t see him as Steve Rogers (aka Cap). So after all of this preamble, I entered the theater with low expectations (the second best way to see any movie, ranked close after “primed with margaritas”), found a seat, fidgeted my way into the most comfortable slouch I could manage, and watched the movie unfold.

Nobody expects a superhero movie to be the next “Citizen Kane” (1941).  Science fiction (especially comic fiction) requires a temporary suspension of critical thinking. The ideas and characters presented in comics were originally designed to entertain children, so if you have some capacity to recapture that sense of wonder and awe, they become much easier to appreciate. If you can’t suspend your disbelief (sometimes it’s just not possible), perhaps you can use it as a window to remember how you used to see the world. Or, just enjoy the action; there’s plenty of it. After skipping through the impossible (or unlikely):

  • A super-soldier serum that can’t be reproduced
  • Vibranium, a metal that absorbs vibration
  • A round shield that returns like a boomerang (how does an object that absorbs kinetic energy ricochet?)
  • A 1940s invention that simulates anti-gravity (still bitter that it’s 2011, and there’s no flying cars)
  • A man that lives without skin on his head (insert skinhead joke here)
  • A man that can survive after being frozen for 60+ years (spoiler?)
  • A relic with limitless energy (you saw “Thor” didn’t you?)

You’re left with a movie about a little guy who is given powers and uses them to do the right thing, repeatedly. Sound boring? Yeah, it does. Which is another reason why Johnston and his scriptwriters deserve a lot of credit. Despite being bound to the source material, they managed to make an enjoyable story. Unlike numerous other movies that I can think of, where you just couldn’t give a shit about the main character, Chris Evans manages to make Steve Rogers a likeable guy. Even when he’s kicking Nazi ass left-and-right, you still get the sense that he’s the little guy, given an opportunity to make a difference. At their core, that’s what all traditional comics were about, reversing the balance of power (“Adventures of Captain Marvel” (1941), anyone?). It’s an enduring theme that will always have appeal. Johnston and company retold the story again in this movie, and they did a good job.

So why only 4 out of 5? The movie jumped around, a lot. It spanned all of World War II and then jumped to the present. While this was necessary because of the impending Avengers movie, it still seemed rushed. That, and I didn’t care for the make-up job on Red Skull. While Hugo Weaving was adequate, I think his head needed to be more craggy. I don’t know, it just bugged me! Also, as others have pointed out, the motorcycle chase might as well have taken place on Endor. Despite everything, I loved the movie’s ending; the Captain’s last words brought home just how down-to-earth this hero is, and left me with a lump in my throat. Anyway… a good movie, worth seeing, especially if you intend to see the Avengers next Summer.

“Whatever happens, stay who you are. Not just a soldier, but a good man. ” – Dr. Abraham Erskine, prior to the super-soldier experiment

4 out of 5